Two-movie collection featuring Disney's classic live-action/animation and the 2016 remake. In 'Pete's Dragon' (1977) lonely orphan Pete (Sean Marshall) finds a new friend in a surprising form: Elliott (voice of Charlie Callas), a 12-foot tall dragon that has the power to make itself invisible. Together they innocently cause chaos in their sleepy home town, but their partnership is put in jeopardy when visiting medicine seller Dr Terminus (Jim Dale) tries to kidnap Elliott. In 'Pete's Dragon' (2016) young boy Pete (Oakes Fegley) is found by forest ranger Grace (Bryce Dallas Howard) after having lived in a forest for the last six years alongside his best friend, a dragon called Elliot (voice of John Kassir). After taking him home to try and find his family, Grace is shocked to learn of the dragon's existence. However, when Elliot comes under threat from a hunter (Karl Urban), Pete, Grace, her father Meacham (Robert Redford) and lumber mill owner Jack (Wes Bentley)'s daughter Natalie (Oona Laurence) set out to protect him.

A Disney production mixing animation with live action. Lonely orphan boy Pete (Sean Marshall) finds a new friend in a surprising form: Elliott, a 12-foot tall dragon that has the power to make itself invisible. Together they innocently cause chaos in their sleepy hometown, but their partnership is put in jeopardy when a visiting medicine seller (Jim Dale) tries to kidnap Elliott.

How did a Jewish teacher, healer, sage and mystic become the vehicle for so much hatred and harm directed against his own people?

Dialogue is demanding and difficult. It is often painful. It entails deep listening, letting others define themselves and being willing to confront and transform deep-rooted prejudices in ourselves. It requires the courage to re-envision absolutely everything we tend to cherish and protect, and to relinquish our entrenched vainglorious ego attachments, our inflated sense of I, me and mine. This challenge to grow beyond tribalism, to approach others in a fair and reasonable way, is an essential step in our human evolution. from the Invitation to the Reader

Judaism and Christianity have had a volatile relationship in their two-thousand-year history. Anger, rivalry, insensitivity, bloodshed and murder have marred the special connection these two Abrahamic faiths share. In the last several decades, scholars, activists, laypeople and clergy have attempted to expose and eliminate the struggles between Jews and Christians.

This collaborative effort brings together the voices of Christian scholar Ron Miller and Jewish scholar Laura Bernstein to further explore the roots of anti-Semitism in Christian faith and scripture. In a probing interfaith dialogue, Miller and Bernstein trace the Jewish-Christian schism to its very source in the first book of the New Testament, the Gospel of Matthew. Illuminating the often misunderstood context of Matthew s gospel a persecuted Christian minority writing some sixty years after Jesus s death this examination of a foundational Christian text discerns the ways in which the Jewishness of Jesus was forgotten and Jews and Judaism became Christianity s foil. More important, it takes a renewed look at Matthew with contemporary retellings that present a new and better future of conciliation and compassion between the two faith traditions.

For decades, James Bawden and Ron Miller have established themselves as maestros of provocative interviews, giving fans unmatched insights into the lives of Hollywood A-listers. In their fourth collection, the authors pay tribute to film pioneers who lit up Tinseltown from the 1930s through the 1960s. They Made the Movies features conversations with legendary directors who created many of film's all-time classics, including Frank Capra (It's A Wonderful Life, 1946), Richard Fleischer (20,000 Leagues Under the Sea, 1954), Alfred Hitchcock (Psycho, 1960), Ralph Nelson (Lilies of the Field, 1963), Robert Wise (The Sound of Music, 1965), and Chuck Jones (How the Grinch Stole Christmas! 1966). Tantalizing firsthand details about many acclaimed films are revealed, such as the revelation of Mervyn LeRoy's first-choice of lead actress for The Wizard of Oz ("Shirley Temple... but Shirley couldn't sing like Judy [Garland]"), Billy Wilder's insights on directing ("You have to be a sycophant, a sadist, a nurse, a philosopher"), and how megaproducer Hal B. Wallis purchased an unproduced play titled Everyone Comes to Rick's and transformed it into Casablanca ("The part [of Sam] almost went to Lena Horne, but I thought she was too beautiful"). The authors also celebrate the contributions of marginalized filmmakers such as Ida Lupino, James Wong Howe, Oscar Micheaux, and Luis Valdez, who prevailed in Hollywood despite the discrimination they faced throughout their careers. They Made the Movies appeals to film and television enthusiasts of all ages.

During television's first fifty years -- long before cable networks, Hulu, Netflix, and the like -- families would gather around their television sets nightly to watch entertaining shows such as I Love Lucy, Gunsmoke, M*A*S*H, The Beverly Hillbillies, Fantasy Island, and The Rockford Files. Many of the stars of these beloved shows have passed away, but their presence remains intact -- not only through their television show performances, which are still viewed and appreciated today, but also through stories they told in interviews over the years. Seasoned journalists and authors James Bawden and Ron Miller have captured provocative and entertaining interviews with important figures from TV's first fifty years. These thirty-nine interviews, selected from conversations conducted from 1971--1998, present a fascinating glimpse of some of television's most influential performers. Featured are exclusive interviews with major stars (including Donna Reed, James Garner, and Ricardo Montalban), icons of comedy (including Lucille Ball, George Burns, and Milton Berle), TV hosts (including Dick Clark and Ed Sullivan), and notable musical entertainers (such as Glen Campbell, Mary Martin, and Lawrence Welk). Each chapter of this volume explores the subject's television work -- with detailed behind-the-scenes disclosures -- and includes additional information about the subject's performances in film and on stage.

Long before humans wrote, we painted. From mud and ash to acrylic and computers, artists across the centuries have found countless inventive ways to explore and express some of life's biggest mysteries. Enter space art, a genre of artistic expression that strives to capture the wonders of our universe. This lavishly illustrated book chronicles the remarkable development of space art from a fledgling theme to a modern movement. In Part I, we traverse the history of art and astronomy from ancient times, through the Industrial Revolution, and into the 20th-century Space Age. Part II delves into the diverse techniques and subgenres of space art, where you will learn about things like rocks and balls, hardware art, and cosmic expressionism. Along the way, we'll stop at places where neither humans nor spacecraft can easily go, from the scorching surface of Venus and the radiation-soaked volcanoes of Io to the alien terrain of exoplanets and the depths of distant galaxies. Featuring hundreds of original color images from space artists and astronomers alike, this book is a vivid visual story about the power of art, astronomy, and human curiosity. A heavily revised edition of the original Beauty of Space, it will entertain, educate, and inspire anybody who yearns to make sense of the strange and surreal sights in our universe.

David is not mentioned in the scripture until the last part of the last chapter of Ruth. However, there are 968 verses in the entire Bible in which David is mentioned. This compared to the 784 verses that mention Moses, the 230 verses that mention Abraham, and the 159 verses that mention the Apostle Paul, tends to give us an idea of the significance of David's life. Even Jesus' name is mentioned in fewer verses (942), although God is mentioned in 3894 verses. There are also hundreds of verses that do not mention David by name but refer to him as king. From the sheer fact that David is mentioned and referred to so many times in the scripture, we can see that such a study that we hereby embark on is certainly legitimate. David was the king that excelled beyond all others in the three Kingdom dimensions God instituted before man was ever created -- worship, word, and warfare. The Lord had even set an angelic leader over these three dimensions. Michael was over warfare; Gabriel was over word, or messages; Lucifer was over worship. David was the passionate worshipper whose zeal for worship has never been matched by mortal man. There was no greater warrior than King David. He never lost a military conflict. David delivered the Word of the Lord with accuracy and messianic insight. His messianic prophecies number more than any of the Major Prophets. So in all three Kingdom dimensions, David excelled above all others. No wonder that David will be the vice king of all the earth during the millennium. As amazing as his life was, his failures were almost unfathomable. David's failures were indeed paramount and certainly were of a great cost to him and his family. Yet no one exemplifies true repentance and Godly sorrow more than David. Again, the study of David's life is worthy of a genuine effort to look intently at every verse that mentions his name. We believe in so doing we will clearly see the entire life and legacy of this one whom God said is "a man after mine own heart" (Acts 13:22).